Godslap Review: There has been a dismal amount of attention paid to comic books as of late. It’s fantastic that they’ve inspired more lucrative art forms like movies and video games. However, many overlook that they may stand on their own as works of art and can convey entire narratives. God slap is a new comic book determined to tell its own story to the best of its ability, using the medium to its advantage.
God slap is a comic book with a lot of violence and action that follows the adventures of three friends named Asus, Darius, and Cyann as they try to figure out who they are and where they fit in the universe. The protagonist of the narrative ventures into the bowels of Montpelier, a dangerous underworld teeming with criminals and other unsavory characters. When the seemingly harmless but quite potent Aius ventures into this area, he will come into direct conflict with forces beyond his ken.
When compared to other independent comics, Godslap immediately stands out. Although comics are primarily a visual medium, the written words on the page are no less crucial to storytelling. When these two things come together, fantastic times are guaranteed. Godslap’s images are brutal, showcasing Ricardo Jaime’s skill as a top contemporary artist. The comic adopts a stark white-and-black aesthetic reminiscent of the renowned Sin City comics.
Image Source: comicsbeat
In addition to the comic’s black-and-white aesthetic, which evokes Sin City, the locale of Montpelier, Vermont, also has a lot in common with that infamous novel. The city has the same seedy vibe as the nameless metropolis in Sin City and is a haven for crooks. These are the world’s most dangerous, corrupt, and deceitful spots. Anyone venturing into a risky area should be prepared to fight for survival. Godslap differs from Frank Miller’s comic book because it features certain science fiction elements.
If you’re looking for a setting that most closely resembles a traditional cyberpunk universe, go no further than God slap. While cyberpunk has always had certain similarities to noir, the authors have decided to focus more on the action aspects of the genre. Godslap is a name that suggests violence right away. This is a brutal story about people who have become superhuman via the use of technology and a mysterious ancient technique that destroys everything in its path.
The cyberpunk subgenre and the manga presentation style aren’t the only sources of inspiration for Godslap; video games are also evident in the story’s design and tone. Some readers will see parallels to the plots of Tekken and God Hand by Capcom and be convinced that this novel can be just as fascinating and engaging as those games. It’s too early to pass judgment on the character’s motivations and growth, but they look fantastic, slapping their foes into submission.
The story of Godslap seems like it will be plenty of mystery, adventure, and intrigue, all of which are essential to crafting a good tale. The entire endeavor at this early stage may be described in a single word: fascinating. Ricardo Jaime’s art is the most stunning part of the comic, and it shows a lot of promise for the future of the series. Character development has been slow thus far, and with only two issues available, there’s only so much that can be done.
Godslap, in the end, offers a fascinating and engaging start to a new story that will attempt to use the comic format to tell its own story. It would be great if creators could put all of their energy into writing the best comic book they can rather than worrying about whether or not they can get a lucrative TV or movie deal. Like in the manga industry, the main focus should be on making a work that stands independently without needing an adaptation.
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